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Showing posts with the label 2018

Kids See Ghosts - Kids See Ghosts

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  Hello everyone, welcome back to my blog. Today I will be reviewing the self-titled debut from rap super duo, Kids See Ghosts. This duo is comprises of Kanye and Kid Cudi. On this album, we see the group discussing topics of mental health and other similiar themes. One of the main accomplishments this album has under it's belt is a perfect 10 out of 10 from Anthony Fantano, the melon man himself. So will I give the same score to this album? Let's see... We open with Feel The Love, where Cudi shouts out that he can still feel the love. After a short verse from Pusha T, we see Kanye pretending to be gun, screaming throughout the chorus. This sets the tone for the rest of album, as a beautiful and triumphant Friday evening. At least, that's the vibe the album gives me. Fire focuses around a Western sounding sample. The song has much more menacing, yet groovy sound. The hook from Cudi is very catchy as well. It's short, but it's very memorable. 4th Dimension features a...

Death Grips - Year Of The Snitch

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  Hello everyone, welcome back to my blog. Today, I will be reviewing Death Grips' latest LP, at the time of writing this, Year Of The Snitch. After Bottomless Pit, I was hoping to see more catchy, but glitchy and distorted music from the group on this next album. That's wasn't quite what I got... We open with Death Grips Is Online, which is one of the better cuts. It features a guitar filling the soundscape. Whilst the chorus isn't the most interesting, the verse are some the group's best and dirtiest sounding. Flies is... oh no... NO NOT THE NLDW SPARSE MIXES. The song sounds empty, the drums are bland, the synths are boring. No, not again. Oh, nevermind, Black Paint is fat, dirty and distorted, that's what I like. The vocals are buried under the mix. The guitar is great, and the bass is super heavy. And then we return to the empty mixes with Linda's In Custody. The song is boring, the hook is bland. The synths sound so cheap, but at least the vocals are ...

Skee Mask - Compro

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  Hello everyone, welcome back to my blog. Today, I will be reviewing Skee Mask's sophomore release, Compro. This was the album that really put this man on the map. And it's not hard to see why. We open with Cerroverb. An ambient piece full of SFX, field recordings, bassy, yet lush synth pad washes, glitchy melodies here and there. An amazing opener to the album. Next we have Session Add with rumbling basses, mechanical SFX, melodic beeps and lush synth pads. Next we have the grooviest song on here, Rev8617 has delayed drum work, glitchy steel-like plucks, more lush synth pads. Around the middle, Skee Mask brings in a fatter bass and quiets down the main melody. And afterwards we return to the beginning of the track. 50 Euro To Break Boost is more beat oriented, but still contains your standard Skee Mask style pads. Via Sub Mids continues on the breakbeat style of the previous track, only here we find not that many memorable melodies. It's a good track, but it doesn't h...

Nürnberg - Skryvaj

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Greetings once again, ladies and gentlemen. Today, I am reviewing Nürnberg's first studio album, not EP, Skryvaj. Fun Fact: Roman Komogortsev of Molchat Doma helped mix and master this album, and also played a couple synth melodies on this record. This had me very hyped up for this album. Let's see if it really delivered on that. Right of the bat, Usio Roŭna is a highly energetic song with some absolutely  amazing guitar melodies and a super catchy bassline. One of the best starts to an album I have ever seen. Next we have Biessensoŭnasć. The guitar melodies were OK and the bassline was great, but the vocals didn't really do it for me on this song. Spać also had some rather weird vocals, but these ones were a bit more bearable compared to the previous song. The guitar melodies were also great on this song, and the bassline was also pretty nice. Staracca was a turn to the melancholic, with some slow guitar melodies and deep, distant vocals. Also, this track ...

Nürnberg - U Nikudy/Mora/Kachannie

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  Greetings everyone, welcome back to my blog. Today, I will be reviewing the first album from the Belarussian post punk band, Nürnberg. For those who don't know, Nürnberg is a duo from Minsk, Belarus, the same place where Molchat Doma come from! This is their first EP, actually, however I feel like it should get it's own post. With that being said, let's jump into this record. We are greeted with the first track, Intro, which is driven by some haunting guitar chords. The song has a slow beat, and a juicy bassline. Already loving this EP. Next we have the title track, U Nikudy. This track is much more energetic and features actual vocals, these being very dark and loud, with a lot of effects on them. Overall, this track is amazing. Moving on, we have Patanuć. This one was a bit slower, with a more melancholic feel to it. The guitar on this track sounded especially nice. Next we have Los. This track didn't do much more for me, personally. The vocals weren't anything...

Molchat Doma - Этажи

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Hello everyone, welcome back to the blog... and today I finally get to review the legendary Этажи (pronounced: etazhi)!!! Ever since I discovered Molchat Doma, I have always had a soft spot for this album. It it so well made and absolutely incredible. But let me explain why it is... Kicking off the album, we have На Дне. It starts off with a powerful, juicy synth bass and then a higher pitched lead synth. The beat is a bit slower, but is an absolute banger of a track! Also this is the opening track of the album, yet it seems to always played at the end of concerts. Anyway, the next song is Танцевать. It is super high energy and it is humanly impossible for me to not bop my head at the beginning drums. This song is once again, absolutely amazing!! Though what's ironic about this song is that it's title means "to dance", and the chorus says "I can not dance". Фильмы brings back the slower beat, but the epic bassline. Another great song, very simple, but very e...